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Betty Smith: 'A Tree Grows in Brooklyn' and Beyond
After completing an eighth-grade education and working at a series of factory and retail jobs, Smith moved to Ann Arbor, Michigan in 1921 with George H. E. Smith, her first husband, who was then a law student at the University of Michigan. Two children, Nancy and Mary, soon followed. Although her educational background precluded her studying for a degree, she was permitted to take classes as a special student in drama, writing and literature, from 1927-30. She excelled as a playwright, working with Professor Kenneth T. Rowe, and was awarded the Avery Hopwood Award during her time at Michigan. In her first year under his tutelage, she submitted several plays for the annual publication of student works; rather than the usual one per student, she was permitted to publish two. She moved to Yale Drama School in 1931, where she was one of Professor George Baker's 'Baker's Dozen,' 'thirteen students chosen to study play writing.'2 One of the plays she wrote in this period, 'You Promised Me' was to become the foundation of 'A Tree Grows in Brooklyn'. Also during this time, she met and began to write with Robert Finch, who was to become her third husband. The completion of her course in 1934 did not see her awarded an MFA, however, as she held no undergraduate degree.
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1934 also saw Smith take a new career direction - working with the WPA in the Federal Theatre project in New York. She read, wrote and edited plays in addition to appearing onstage and on the radio, both professionally and in amateur productions. The WPA relocated Smith to Chapel Hill, NC in 1936, where she continued her theatrical and writing career with the Carolina Playmakers. She divorced George Smith in 1938. Her writings during this period garnered her a Rockefeller Fellowship and a Dramatist Guild Fellowship. A letter to the editor of the local paper, the Chapel Hill Weekly, brought her into contact with Joseph P. Jones; they married in 1943.
The publication of her first novel, 'A Tree Grows in Brooklyn' in 1943 brought further dramatic changes; suddenly Smith could afford to move out of her $45 per month one-room house (although she preferred not to do so) and bought her first home (the 'Mickle-Mangum-Smith-Manning House,' a 19th Century Greek Revival on East Rosemary Street in Chapel Hill) 3. The immediate and overwhelming public response to 'Tree' brought a seemingly endless round of interviews, tours and correspondence, especially after the 1945 film version was released. To many the book seemed as if it must be a direct autobiography, yet Smith always denied that it was drawn directly from her life or that the characters were based on real people. This is slightly disingenuous, however, as many names and places from her childhood are fictionalized in the book, including her parents John and Katie and the Williamsburg setting. Perhaps as a reaction against such views, her next novel, 'Tomorrow Will Be Better' (1948) seemed less intensely personal. While not as well-known today, it was indeed successful, although not on the same level as 'Tree'. In the ten years before her next novel, 'Maggie-Now' was published, Smith worked on many 'Tree'-related projects, including a radio drama and the 1951 musical. |
| During this period, Smith taught at UNC-Chapel Hill, having worked with and then succeeded Prof. Frederick Koch in his playwriting classes. In 1951, Smith and Jones divorced. In 1957, she finally married Robert Finch, her longtime playwriting collaborator, and 'Maggie-Now' was released in 1958, winning the Sir Walter Raleigh award for fiction. Again, although it was well-received at the time, it is less well-known today. Sadly, Finch died in 1959. |
| In 1963, Betty Smith's final novel, 'Joy in the Morning' was published. Like 'A Tree Grows in Brooklyn,' it reads as highly autobiographical; it was loosely based on Smith's marriage to George Smith and her time living in Michigan as a young wife and aspiring author. While not achieving the status of 'Tree,' it has remained popular and is her only other major work currently in print. It was adapted for a 1965 film starring Richard Chamberlain, although it was not as successful in that medium. |
| Betty Smith died in 1972, and was buried in Chapel Hill. She left an uncompleted autobiography4 and a long legacy as a playwright and novelist. |
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1 The family legend is that her name was confused with that of the midwife on the birth certificate (Smith, Betty. Look Back with a Smile. Unpublished autobiography.)
2 http://www.lib.unc.edu/mss/inv/htm/03837.html
3 http://www.dailytarheel.com/vnews/display.v/ART/2002/12/04/3dee12fbb25fd
4 http://www.lib.unc.edu/mss/inv/htm/03837.html - the note suggests that her daughter found it 'highly embellished'
Other references:
Finch, Robert and Smith, Betty. "Summer Comes to the Diamond O." The Best One-Act Plays of 1940. Ed. Margaret Mayorga. New York: Dodd, Mead & Company, 1941.
Smith, Betty. "Best-Seller Aftermath," Life, 6 June, 1949
Smith, Betty. A Tree Grows in Brooklyn. New York: Harper Collins, 1947.
Smith, Betty. "Tomorrow Will Be Better (excerpts)." Omnibook, February, 1949.
Smith, Betty (ed). 25 Non-Royalty One-Act Plays for All-Girl Casts. New York: Greenberg, 1942.