Best Beers of 2013

Mikkeller & Friends, Copenhagen, DenmarkThere’s a little bit of everything this year – lots of local beer, and for many of the non-local ones, I got to enjoy them reasonably close to their sources, both at home and abroad. In roughly chronological order, please enjoy this year’s top 10:

Mrs. Pigman, Tired Hands Brewing Company, Imperial / Double IPA, 11.5%

I suppose the narrative is less ‘I don’t like double IPAs’ and more ‘I don’t like not-very-good double IPAs’ – and too many breweries seem to think it’s a style at which they will be especially successful. Whether it is down to dark powers or sheer hard work, Jean Broillet IV and the team at Tired Hands are consistently good at absolutely everything. It was hard to choose just a few favorites from their ever-changing lineup; among their 2013 beers I’ve particularly enjoyed are their Caskette and LiverPool, both milds, We Are 138, a Cascadian Dark Ale, and Dr. Grasshopper, a Berliner Weisse. And although I maintain that double IPAs rarely meet expectations, this one exceeded everything. Sure, Russian River’s Pliny the Elder and Pliny the Younger are good, but they aren’t this good. Really.

Ancient Knovvledge, Tired Hands Brewing Company, Saison, 6.2%
Yes, it’s another from Tired Hands – and yes, I realize I am extremely fortunate to be able to walk there whenever the mood takes me. In some ways, this is a ‘typical’ Tired Hands beer – a saison with something a little bit different. In this instance, the Szechuan peppercorns were what made this one stand out, adding a nice kick and the odd bit of a good sort of numbness. We won an AHA medal for homebrewing a mead with Szechuan peppercorns some years back, but we didn’t approach this level of expertise. It’s all good.

Courage Russian Imperial Stout, Wells & Young's Brewing Company, Russian Imperial Stout, 10%
As mentioned above, a general rule, I don’t love most ‘imperial’ beers – so many brewers seem to be caught up in an ABV arms race, so it’s nice to dial it back to a real historical example. Wells & Young’s events during Philly Beer Week have become must-attend annual outings for me – there’s always someone personable from the brewery, and you get a nice history lesson with your beer. I enjoyed getting to compare both the cask and bottled versions of this beer, though I’d give the edge to the bottled one, which likely had a little more time to mellow. But it’s a small quibble – both were very tasty indeed.

Reparationsbajer, To Øl, American Pale Ale, 5.8%
As much as I enjoyed everything I had at Mikkeller & Friends in Copenhagen – especially for the opportunity to try Mikkeller’s less high-octane beers, I have to admit a slight edge to a few beers from brewer Mikkel Borg Bjergsø’s former students who went on to found To Øl. Brewers Tobias Emil Jensen and Tore Gynther describe this beer as a ‘morning after’ affair, but I found it just as pleasant as a curtain-raiser to the evening. It was also a fine illustration that just because you can make excellent ‘unusual’ beers, you can show off your skills with a very straightforward recipe as well.

Black Ball, To Øl, Porter, 8%
Another entry from To Øl – I am always happy to find a hoppy porter. One of my local seasonal favorites is Tröegs Dead Reckoning Porter, and this was almost like an amped-up version, though it never went overboard; it was really rather delightful. In fairness, we had excellent (if pricey) beer all over Denmark – more large-scale breweries could take a leaf from Carlsberg’s page and invest in their own in-house (apologies for the loaded term coming up) ‘craft’ lines, as everything we tried from their Jacobsen line was excellent, as was their brewery tour. Big doesn’t have to mean bad, just as small isn’t necessarily good, but they seem to be doing both right there.

Mikkeller Yeast Series 2.0 English Ale, Mikkeller, English Pale Ale, 6.4%
But fear not – Mikkeller did make the list. The frankly amazing taplist at Mikkeller & Friends included a very wide range of beers, both Mikkel-brewed and literally those brewed by his friends, and I loved the variety on display. We tend to get the higher-ABV end of the Mikkeller spectrum in the US, and it was wonderful to see how much more there was on offer. I love a good English Pale Ale, and this fit the bill perfectly. Yes, Mikkeller can make wonderfully weird beers, but that’s only one part of the story.

Freigeist Ehrenfelder Alt, Freigeist Bierkultur, Gasthaus-Brauerei Braustelle, Altbier, 4.8%

I do love a good altbier, and I especially appreciate what Peter Esser and Sebastian Sauer are doing with Freigeist Bierkultur, the small experimental line from already-tiny Braustelle Brewery in Cologne. Their goal of reviving old and often peculiar (to modern tastes) German beers is one I wholeheartedly endorse. It can be difficult to avoid something of a hipster label when enjoying these occasionally difficult-to-find and sometimes strange beers, but they are well worth the effort to seek out.

Sauer Porter, Freigeist Bierkultur, Gasthaus-Brauerei Braustelle, Sour Porter, 6%
Yes, it’s another double entry. In this case, ‘Sauer’ refers to brewer Sebastian Sauer of Freigeist Bierkultur, as well as for the beer’s lactic sourness. This beer has a lot going on – it’s dark and chewy, but also salty – like a gose, a style I am quite happy is having a renaissance, but also refreshingly sour, so it’s something akin to a heavier, dark Berliner Weisse. This is all wrapped up in a ‘porter,’ though those who adhere strictly to (modern) style conventions might wish they had a different category in which to place this beer. Despite the current popularity of the very broad range of sour beers on the market, I often avoid this trend as they are rarely to my taste – and this is not to take a contrarian position, but simply because I don’t like more than a tiny smidgen of Brettanomyces (you can blame me for not being a wine drinker). However, I do like the lactic end of the sour spectrum, and this sits perfectly in that spot.

Edel Helles, Barren Hill Tavern & Brewery, Helles Lager, 4.8%
After quite a saga, the General Lafayette Inn regenerated into the Barren Hill Tavern and Brewery, with Scott Morrison’s beers taking pride of place. Everything has been outstanding so far – the West Coast Oats and Burton IPA are particular stand-outs thus far – but I had to give the nod to the Edel Helles. Being able to drink the beer just feet from where it was brewed is especially useful for a beer in this style; sometimes even the best ones from Germany don’t necessarily travel well. This one is perfect.

Rosey Nosey, Batemans, Winter Ale, 4.7%
I have been a big fan of Batemans for many years, dating back to when I lived in the UK; indeed, I’ve often fantasized about being able to move to Lincolnshire, where I could easily enjoy their freshest local beers. Should I get transferred, I’d most likely end up near London again, but I would make it a priority to finally investigate their brewery tour at some point. Though rarely ‘weird’ or flashy, they always have a solid lineup, and I hope that more of their beers make their way to the US in future. I love this because it’s chewy and seems full-bodied, but without the 7%+ wallop it might have had it been brewed in the US. Lovely.

So, there you have 2013 – happy new year!

Book Review: D.G. Yuengling & Son, Inc.

D.G. Yuengling & Sons, Inc.The good people at Arcadia Publishing sent me a copy of one of the newest additions to their Images of America series, and a very interesting one it is indeed. D.G. Yuengling & Son, Inc., by Robert A. Musson, MD, covers the family brewery from its 1829 origin as the Eagle Brewery to its current status as America’s oldest operating brewery. What is perhaps most encouraging to see is the sheer number of photographs and prints the slim volume packs in; it suggests that the company archives are in a healthy state of organization. And, like any good introductory history, it raises more questions than it answers; I came away from the book wanting to know more.

While I was familiar with the general outline of Yuengling’s story – German immigrants, initial success, creative Prohibition work-arounds, post-war decline and re-invigoration – there were a number of surprises. I had never been aware of how far afield Yuengling’s reach was in the 19th century, and the snippets about David Yuengling, Jr., opening breweries in Virginia and New York was intriguging indeed. I was previously quite unaware that Harlem once boasted its own Yuengling Brewery, much less one turning out more than 30,000 barrels of just one beer – Champagne Ale – annually. Equally unknown to me was the family’s purchase of a further brewery in Harlem with an even greater capacity that was used solely for lager, and the brief notes about these plants serve to highlight the shift in the nation’s taste from ale to lager. Both buildings were sold by the tail end of the 19th century, but it’s a very interesting illustration of Yuengling’s expansion and quite purposeful contraction at that point.

Also of note was a caption about Minna Dohrman Yuengling, wife to Frederick and mother to Frank; there was a passing mention that she essentially co-managed the brewery with Frank after Frederick’s death in 1899, but I would love to know more about her and her role in the business. Even the more detailed Yuengling: A History of America’s Oldest Brewery, by Mark A. Noon, doesn’t give much more away – it sounds as thought there may be some rather juicy meeting minutes locked away somewhere. The late 19th and early 20th centuries seem an especially busy period in Yuengling’s history; I was somewhat surprised to see a poster from c. 1900 (page 33, for those reading along) that included the tag ‘America’s Oldest Brewery’ – it was particularly interesting as the text indicates that it wasn’t widely used in signage until the 1950s (p. 67), though it’s possible the earlier poster had a very different audience.

There are many other hints and clues scattered throughout the book that suggest there is much more to discover; my only complaint is that all the photos and prints are black and white (as is standard for the Images of America series); particularly for the early advertising, it would be nice to see some in full color.

But all told, it’s a pleasant introduction to Yuengling, and a useful reminder that change is a constant in the beer industry. If you’re still at a loose end for a holiday or new year present, why not pick up a copy?